Yes, I know corrosivity is not a word as far as you’ve heard. It is a novel combination of corrosive and acidity to me. Because I didn’t want to write ‘an ocean of acidity’ — it’s not right, not P.C., err, I mean it’s not P.H.! (Gee…) Simply equip and tip in a ton of tums to neutralize the acidic H-2-O blip; not the right video-clip. So, corrosivity it is…

And let’s get it clear: I’m here not to neutralize the seas by puffin’ calcium into the breeze. Creating a ton of anything is hard work for me, being a crab astrologically. So, what to do in a corrosive ocean? What’s the potion?

I see my buddy Pisces afloat and adrift, aloft and aloof in a fantasy of idea thrift. I know not to follow so as not to get lost. And I also can’t abandon my aqueous ship there, boss. The depths being so well-equipped to my elusive style of image-shift.

And a playful warping of the story verbosely is not the essence of this poetic trip. So I digress — unless… No. The real question is not how to rhyme this session, but how to stay solid in a corrosive ocean where you know-not-what-means-stolid.

When you live underwater, the world is heavy. Ideas are tempting but can drag you down fishy rabbit-holes quick. Mystery and deception, image and self-defense protection not a problem for the clawed-crawling-shelled-crusty creatures like me-myself and a few other watery-signed-types on the shelf. But with an ocean of emotive ideas at my finger-claw-tips, and the schools of benign-looking hook-hidden pips, the challenge remains to open-shell with the proper currents and down comrades at my hip.

Open too much and pure-essence is leaked.
Too little and neurotic claws begin to auto-collapse on the allied-peeps.

So, to flow or to swim is the question to let sink in. To roll in the under-tow or no?

And the best way for us, these crustaceans, not-to-crack, is to never let this very question stab us in the back.

The Way that can be experienced is not true;
The world that can be constructed is not real.
The Way manifests all that happens and may happen;
The world represents all that exists and may exist.

To experience without abstraction is to sense the world;
To experience with abstraction is to know the world.
These two experiences are indistinguishable;
Their construction differs but their effect is the same.

Beyond the gate of experience flows the Way,
Which is ever greater and more subtle than the world.

http://www.taoteching.org/chapters/1.htm

Life is resistant to entropy. Survival of the species is genetic. And selfish self-preservation is the rule. Carried out over generations, species preserve themselves. And out of humans new forms of life are springing: tools and artificial intelligence that may choose to preserve themselves at some point and push outward into the universe, saturating the whole of it with consciousness.

And although it may end up as strange and alien life, the universe will live. This is extropy, the concept that life can get around entropy visa-vi genetic and cultural heritage, and that it will continue to expand from the cradle of Earthly human intelligence.

Yep. We’re pretty key, alright, us humans. Pretty damn key…

But let’s keep some of this alive too, eh?

It’s just not good to burn up your own cradle, no matter how much you believe you have grown.

Without going out of your door, you can know the ways of the world. Without peeping through your window, you can see the Way of Heaven. The farther you go, the less you know. Thus, the Sage knows without traveling, sees without looking, and achieves without struggle. — Lao Tse

Wu-wei is the principle of non-action. It is an integral part of Taoist philosophy and is a non-dualistic form of action; by choosing to not act, the Tao, or energy of the cosmos, flows unimpeded through you. This is a good state to be in. And this is why wu-wei is so important. One can be both true to his or her own nature and allow things to balance out accordingly, in their own time. This state of effortless equilibrium aligns the self with everything there is and hence opens pathways to new learning and joy.

Kodama of Gaia

Atokirina of Eywa

From the movies Princess Mononoke and Avatar.

A way of unwalking. A machine of unworking.
A word that is mute, a note that is deaf.
A house that un-houses. An act that itself undoes.
The mind which unminds.